Let me take care of Audio for you



This is not just my job. this is my passion

I started my career in the film and television industry as a boom operator.
In a short period of time, I realized that this is not just my job and not a means of making money, but this is what I really enjoy. I like to do it and every time I make every effort to get the best result.
After gaining knowledge and skill in most aspects of audio and sound design. I began training specifically as a sound mixer for a film under some of the most influential and knowledgeable mixers in the industry.

The work I do covers a very broad range of content types: Feature length & short film, documentary, event coverage, 3D/VR experiences, 360 video, commercials.

This is not just my job. This is my passion

Y-1 Local 695
Union or Non-union

No job is too big or too small for me to tackle.
Do not hesitate to ask questions
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I have had the pleasure of working on many high quality projects, and whilst copyright restrictions don't allow me to show many entire projects, here are some samples that include sound that I recorded the audio for that are being exhibited in the public domain. Many times I received feedback from post production saying that the quality of my recording on location has been a great asset, and that I had managed to eliminate many of the perceived problems that they were expecting especially with material that was recorded in difficult environments. In addition to the dialogue, extra sounds and ambiance that I have recorded on location are often used in the final sound design
Feature films
Cerebrum (2019) Si-Fi (Black Velvet films)

The Killing Of Kenneth Chamberlain (David Midell)

No place like home ( Lifetime TV)

The Serpent ( Gia Skova

The Last Wish (Timorthy Woodward Jr. )

The Mother In Law (Nigel Thomas)

The Trap Door at the Edge of the Universe (Noah Warner)

Tone-Deaf (Richard Bates Jr.)

Stalked by My Doctor: Patient's Revenge (Doug Campbell)

La maison des secrets (Doug Campbell)

Snowbound (Olia Oparina)
Web series
So Foreign ( Trisha LaFache )
Reality shows
Celebrity Big Brother (2019)

Flophouse (2019)

Buried In The Backyard (2019)

Ghoul Gang Slumber Party ( Pilot ) 2018

Downunder Horsemanship
(TV program )

Isina ( 1 season 8 episodes )

Moldonazar ( Music band US tour )
Short films
The Investment (Taylor Curry)

RELEASE THE BATS ( Michelle Tea)

D.A.R.C.Y (Henry Behel)

Broken (Enrico Natale)

Tin Can (Pat Battistini)

Sawtooth (Quentin Ransohoff)

Just My Type (E.G. Fendler)

Reverse (Prince Bagdasarian, Amber Glenn)

The Alc-Man (Hiroki Ohsawa)

The Proposal (Danny Buonsanto)

Handprints (Jennifer Mochinski)

I Am Normal (Olia Oparina)

Sequester (Franklin Fuentes)

Rhino (Victor Edwards, Victor Vintage)

Pepsi Mixology (Henry Behel)

Mickey Fine Testimonials (Monty Miranda)

Cirque Du Soleil (AD.JUST Production House)

TopGolf Miami (Nik Kleverov)

Herschel Supply Co

VR 360
Lyft Las Vegas VR360 (VRPlayhouse)

Vintage Point

Psychopathology and the DSM (Genius Pictures)

Broadcaster Royale (NGE)

ROCK & ROLL CHEF (O'Malley Productions)

Back in Russia
TV Series

Dzhuna ( 1 season 12 episodes)

Interny ( 2,3 season 120 episodes)

Kill Stalin ( 1 season 8 episodes)

Moimi glazami ( 1 season 19 episodes)

Odinokiy volk ( 1 season 24 episodes)

I try to keep my rates competitive and fair with respect to the current industry standard rates and my fellow production sound mixers.

If you have a projected budget for sound, please include that information when you contact me.

I have worked with productions of all sizes and will always do my best to work within your budget confines (within reason).
Therefore I am open to discussing numbers in an attempt to fit your budget and will do so on a project to project basis.
I own and work with high-quality sound recording equipment, this means that I am always ready for the next challenge, providing the best audio quality for your projects.
Sound devices MixPre-10
MixPre-10 is the newest professional portable multi-track recorder from the leading manufacturer of audio recording equipment.
The ability to record high-quality poly wav files that includes 2 mix tracks and up to 10 ISO tracks.
The ability to synchronize the timecode and distribute the sound to the camera, which makes it possible to greatly simplify and maximize the process of post-production.
Lectrosonics 411A/UM400 Transmitter/Receiver
Lectrosonics is the manufacturer of the world's best wireless systems for lav microphones. And this model is produced in a very long time without any changes and is used in high-budget projects. Because it proved that it is the standard of reliability and stability of the signal even at great distances and high sound quality.
Schoeps CMC64
Two manufacturers of top boom microphones, allowing you to record high-quality sound in any situation, even in conditions of poor room acoustics or any other surrounding factors.
DPA 4060
DPA is the manufacturer of some of the best microphones in the world. And this proves that many famous musicians and singers choose DPA microphones, as well as they, are widely used in the film industry. Since they convey the entire voice range of the actor without any distortion.
Neumann KMR82i
Two manufacturers of top boom microphones, allowing you to record high-quality sound in any situation, even in conditions of poor room acoustics or any other surrounding factors.
Sennheiser G3
Sennheiser Producer of professional radio systems. Allows you to transfer high-quality sound of the camera which greatly simplifies and speeds up the editing process and often allows you to use the sound on the camera even for the final video.
Tentacle is the manufacturer of one of the smallest and at the same time a very reliable timecode generator. Having it on the camera you can be absolutely sure that one click of your video clips and audio files will be synchronized and the picture will exactly match the sound.
Wireless system Comtek is very popular in the film industry and are used on all film sets from low to high budget. Comtek provides audio from the set to director, producer and script supervisor.
I've also got access to further options through rental houses or my close network of freindly sound recordists, production mixers, boom operators and assistants.

Every shoot has different requirements, and you're not likely to require everything I have,

so kit packages are quoted on a per job basis.

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